Hi Folks,
This week we are focusing on the bridge and last A section of the melody for Darling, You Know I Love You. Monster Mike's arrangement of the great BB King blues ballad. Continuing from where we left off Mike picks up the intensity as we get the bridge. Mike will show you just about as close to BBs melody style as you can get here. So pickup your guitars and start shedding friends.
Looking forward to hearing more of you posting videos here on this one!
Enjoy,
Duke Robillard
Topics and/or subjects covered in this lesson:
Chicago Blues
Duke Robillard
B.B. King
Monster Mike Welch
Darling You Know I Love You
Loop 2:00 Breakdown of B Section Head / Melody
Loop 8:00 Breakdown of Last A Section Head / Melody
Loop 9:35 Run-Through of Entire A A B A Sections with Metronome
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2nd A Section
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B Section
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Final A Section
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Comments
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Thanks, Duke! As my technique builds with each of the lessons, I'm feeling closer and closer to being able to just relax and play -- but obviously not quite there yet! You, Mike and Paul do a terrific job in teaching tunes which work on a variety of techniques and challanges. Each lesson teaches so much more than just another song. My friend, listening to my playing recently, remaked on the improvement, and said, "Wow, thank God for Duke Robillard!" But I'll just thank you directly, Duke, et. al. ;-) These lessons really mean a lot to me.
Nice Job Bruce, Sometimes playing with a track can be a bit difficult but like Mike says, if you take your time and breath a little between lines it will groove more. Concetrate on relaxing more and letting it flow. You just may be trying a bit too hard. Youre doing really good with it though. I know that vibrato thing can be daunting. At this time in my life, it's impossible for me to get that kind of vibrato! Duke
Now that I've recorded my own backing track, here's another stab at the melody! I imagine we'll do the next two A's as improv and then back to the melody in the bridge and out on the last A? Looking forward to seeing the next lesson!!
Again, nice! Maybe a little more space between phrases? Your playing fits over the changes and isn't "wrong," but a lot of those phrases might sing more if you give them an extra breath before playing them.
Thanks, Mike! I see what you mean about space; I'm doing a "California 4-way stop" (slowing down but never actualy come to a full stop) and blurring the phrase a little bit. I will keep that in mind, thanks again!!
Great lesson! Thanks Mike and Duke! I feel like I'm making progress. Feedback as always would be very much appreciated. I was going to try to copy that thing where Mike wiped his brow before playing the lick. I don't know if it was intentional, but it looked very cool. ;-) Thanks again!
Nice! For maximum authenticity on the brow wipe, record yourself in a room with bright lights and no air conditioning! I like your vibrato and attack; it's got its own thing while being pretty true to B.'s vibe.
And thanks for the kind words. Working on this song is really pushing my playing up a notch, and I'm watching you very closely, Mike, stealing as much as possible. ;-) I'm very intrigued by the way you approach a note, I guess what you are calling the attack. You do those great rakes that make that first note of the phrase so compelling and set up a percussiveness to the entrance of the phrase.
Anyway, I'm sure getting a lot out of this lesson and having a lot of fun.
Awesome work Mike!