Your choice of chord voicings are superb workmanlike 'grips' . Anyone who encounters these here is lucky as it's taken me a good while to unlearn awkward voicings and economise. Playing and singing was my catalyst for this. I'm one of those guitarists that genetically can't bend the thumb over for base notes I guess thats why I'm comfortable wearing the gtr fairly high ala classical, despite this I pretty well utilise many of your voicings. I'm loving the chromatic/sliding chord movement something that drives on your recordings. An area I'd like to see a lesson on with chorded solos and part chorded solos you know the Wes thing. One for your list?
Hi Duke,
Your choice of chord voicings are superb workmanlike 'grips' . Anyone who encounters these here is lucky as it's taken me a good while to unlearn awkward voicings and economise. Playing and singing was my catalyst for this. I'm one of those guitarists that genetically can't bend the thumb over for base notes I guess thats why I'm comfortable wearing the gtr fairly high ala classical, despite this I pretty well utilise many of your voicings. I'm loving the chromatic/sliding chord movement something that drives on your recordings. An area I'd like to see a lesson on with chorded solos and part chorded solos you know the Wes thing. One for your list?
Thanks again Matthew (Downunder)
Hi Matthew, Thanks, I don't really do anything I would consider Wes Style but i am certainly an admirerer of his playing. Duke